Introduction
"'Strata' reimagines the use of stone tiles. It is a collaboration between the private and public communities."
Located in the public garden of PARKROYAL on Beach Road, the monolithic art installation ‘Strata’ is a testament to how creativity can enhance and enliven our shared spaces.
The project was funded by the Housing Development Board and Urban Redevelopment Authority’s (URA) Lively Places Fund, with support from the National Arts Council (NAC). Artists Eugene Kosgoron and Michael Yeow led the project, with contributions from student volunteers at the Nanyang Academy of Fine Arts (NAFA).
A close-up of ‘Strata’ and the staggered manner in which its concrete discs were laid
As Eugene explains, ‘Strata’ is a reimagination of the humble stone tile that offers a fresh perspective on how these tiles are typically used. Each tile was meticulously and strategically stacked on top of another, creating depth and texture. Openings in the structure allow glimpses of the surrounding greenery and pockets of light to peek through playfully. In total, 153 tiles were used, totalling up to 270kg!
This playful and engaging sculpture invites passersby to pause and interact, often drawing various visitors who stop to admire its dynamic form. During the day, the sculpture blends into its surroundings. Come night, when the light within switches on, it becomes a glowing focal point.
Read on to learn more about the challenges and triumphs of bringing ‘Strata’ to life.
Q&A
1. Could you walk us through your creative process from conceptualisation to execution?
Drawing inspiration from the materials, I focused on restoring the stone to its original form, challenging the conventional use of stone tiles by layering them. This technique, a hallmark of my work, adds depth and texture.
2. How do you envision your artwork contributing to the vibrancy and identity of the public space where it's located?
In the garden area, the sculpture is a focal point, enhancing the space's appeal. I see my artwork breathing life into the public space. The playfully stacked tiles, with their peek-a-boo holes, invite people to linger and explore.
'Strata' at night and in the day
3. Can you share any memorable interactions or reactions from the public who have experienced your artwork?
Children delight in poking their hands through the holes and playing peekaboo with the sculpture. A man walking his dog struggled to stay and appreciate the sculpture as his dog wanted to move on–it was pretty amusing.
Eugene Kosgoron with fellow artists, admiring ‘Strata’ and its layers
4. How did you collaborate with members of your community to bring your project to life?
With the support from URA and NAC, we enlisted the help of my students from NAFA, who volunteered on weekends to assist with the project. This collaboration provided a valuable learning experience for the students, offering a real-world application of their learned theory.
A behind-the scenes look at ‘Strata’ and its development
Image credit: Eugene Kosgoron
5. What advice or insights would you offer, based on your experience with the Lively Places Programme, for prospective artists interested in contributing to public spaces?
As an artist on the programme, I learned a lot. It's not just about having a cool idea; you need to be able to solve problems and make a real difference. Public art should spark curiosity and invite play as it thrives on interaction.
The project is part of the Lively Places Programme, a joint initiative by Urban Redevelopment Authority of Singapore (URA) and the Housing & Development Board (HDB), together with the National Arts Council (NAC), to support community-led efforts in enlivening Singapore’s public spaces–fostering a #DistinctiveCity by encouraging co-creation between artists and community stakeholders.
For more information on this programme, visit: https://www.nac.gov.sg/singapore-arts-scene/community-engagement-and-social-sector/lively-places-programme