Hiroshi Senju: Beginnings

Hiroshi Senju: Beginnings

WHEN
21 January – 28 February 2021
VENUE
Sundaram Tagore Gallery, 5 Lock Road, #01-05 (go to Google maps)
OPENING HOURS
Tues – Sat, 10am – 6pm
Sun & Mon, by appointment
Closed on PH
ADMISSION
Free Admission
WEBSITE
http://www.sundaramtagore.com

Hiroshi Senju: Beginnings

Sundaram Tagore is pleased to announce that Hiroshi Senju has just completed a dynamic series of Waterfall paintings, his first since 2015. For this group of waterfalls Senju began his creative process on the island of Oahu, Hawaii. The pristine beauty of Hawaii has inspired Senju’s work in the past, but it was the rugged, almost prehistoric landscape of Oahu’s northern side that struck a chord. The artist has a profound connection to and love of nature. He has been conveying in paint its power and ability to inspire awe for more than 30 years.

The exhibition features waterfalls in Senju’s iconic black-and-white palette, as well as in red and blue, both dark and bright. In one of the paintings, the artist, who mixes his own pigments using crushed rock, coral and other natural materials, has used platinum pigment for the first time in the Waterfall series. Platinum allows him to achieve darkness and light simultaneously and adds a subtle luminosity to the surface of the paintings. 

The exhibition also includes a range of compositions, including dynamic vertical formats that amplify the sensation of the water’s power, energy and movement. Senju creates depth with asymmetrical, layered falls that conjure not just the appearance of rushing water, but also its sound, smell and feel. In other works, he aligns the waterfalls to one side of the composition, creating negative spaces that evoke stillness. A specially curated selection of these pieces will be on show in our Singapore gallery during the Singapore Art Week 2021.


Hiroshi Senju, Waterfall, 2020. Image courtesy of Sundaram Tagore Gallery
Exhibitions
FOST Gallery, 1 Lock Road, #01-02
23 January – 7 March 2021
Space, light, colour and rhythm are building blocks in Wyn-Lyn Tan’s language of painting. The works in A Matter of Time highlight Tan’s interests in the subtle shifts of one’s perception of space and time, and how that extends into a painting.
Exhibitions
Gillman Barracks, 47 Malan Road, #01-22
22 – 30 January 2021
The orchid; the wasp is a visual arts exhibition that follows the proposition of becoming, which is understood as the possibility for diversity, multiplicity and change. It is about forming alliances between artistic identities, seeing them as subjective beings with the potential to interchange or become something else through a unique symbiosis.
Exhibitions
Gillman Barracks, 9 Lock Road, #02-21
21 January – 7 February 2021
Networked Bodies is an exhibition that seeks to investigate communication and intimacy through the internet. When our bodies are stuck, and our minds yearn for the other, how can we reach beyond the screen and create new sensory experiences? This exhibition will feature digital works, media installations, and works that use social media as a platform.
Ota Fine Arts, 7 Lock Road, #02-13
16 January – 6 March 2021
Ota Fine Arts Singapore presents YAYOI KUSAMA: RECENT PAINTINGS, a solo exhibition featuring 15 monochrome paintings from the artist’s My Eternal Soul series made in 2019-2020, and CLOUDS (2019), a sculpture installation consisting pieces of mirror-finished stainless steel forms.